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not lemons


kisses are not iron,
paper not a therapist.
a breast is not clay.
lightning is not a map,
wax is not hot water,
and grease no substitute for love.

ice is not my touch.
television not the microscope;
bed not an old red toolbox.
a cell phone is not an earring.
my mind not a tootsie roll,
and time is not a chameleon –

time may be a chameleon,
time is not my chameleon,
and work is not work,
and I am not quite finished.
©2008-2009 *b1gfan
:iconb1gfan:

Author's Comments

So, if I'm not an author, can I skip the comment?

How about a quote instead:
“Every moment is a moment in the woods.”
Into the Woods

Dave Prisk

Comments


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:icongernev:
I like this one. It brings something fond to my memories.

--
Nothing’s ever wrong, but nothing’s ever right. Such a cruel contradiction. I know I cross the line, it’s not easy to define. I’m born to indecision.
-Shinedown, burning bright.
:iconb1gfan:
Really..."something fond"...that's worth more examination. Thanks so much for the supportive response. You rock!
:iconyouinventedme:
it's author not artist
and
so
at the least
they've got you on a technicality

haha

oh and
nice work

xo!
:iconcallmecody:
Yeaah. Same with gernev.. I get this feeling of some memories. Idk but there's this bittersweet feel to it. Idk why.

I like :D

--
You own my heart and more, till the end of time.
:icongernev:
I've always had found memories of tootsie rolls.

--
Nothing’s ever wrong, but nothing’s ever right. Such a cruel contradiction. I know I cross the line, it’s not easy to define. I’m born to indecision.
-Shinedown, burning bright.
:iconhaikukitty:
I do think paper can be a therapist. This poem, rocks! Oh yeah! it's got great rhythm.

--
:spotlight-left:My Faith in Humanity Project 2008:spotlight-right:
365
:iconb1gfan:
I thank you - and YOU ROCK! I'm glad you like the rhythm... keeping that straight was the central feature of the poem for me as I tried to work it out.
:iconpoeticwar:
I think this is really pretty good. The 'x is not y' format works very well when it reveals something about the way X or Y are being used/looked upon. A few of them puzzled me -- the hot water/wax, the breast/clay, for instance. But they are intriguing in their obscurity.

The danger you get into with this kind of poem, though, is that it ends up as a flat-out list that gets somewhat monotonous. I think you break it just in time by picking up on the 'time is not a chameleon' line, but I think the ending strophe could be better. The unfinished work trope appears tacked-on and fairly disconnected from the rest of the poem. Judging from many of the previous items, I was expecting this to turn into a meditation on a relationship, and would very much like that to be the case, still. Maybe put it aside and see if is sprouts any other associations that might lead to a better ending.

Still, much enjoyed!

--
mimesis, the poetry journal

Buy Mimesis issue one here.
Buy Mimesis issue two here.

Details

March 1, 2008
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