January 5, 2009
Hold them little one, tightly
wont you, my suffering fingers
your breath so short, your pulse
so faint, you are hardly here
with me and I have no time
to explain it is not the shade of olive trees
that streaks your sunless face; it is not
the red poppies of Palestine I see blooming
there in your breast and I dont know
how to speak what I wish that it stung you
to feel my salt as I push my eyes
against your ragged jaw, that youd
scream the agony of your torn body
as I pull you to me and curse my clumsy
mistreatment of your sagging shoulders,
the shattered glass of your mouth,
the splintered concrete of your bones
if only you would, I could pretend anger at you
for bleeding on your best shirt, my shemagh
tucked under your head.
Hold them little one, tightly
wont you, my suffering fingers
your breath so short, your pulse
so faint, I am hardly here.















Comments
i think you could well be finished with it, even though there's a lot more to say. would you consider changing the title? i think the piece could perhaps have more of an impact if the revelation that it is about a current event was saved until the end.
~Noah.
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i'm a million different people from one day to the next.
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Please ignore the boy behind the curtain.
~KabieBaby- check it out!
she made me do that...
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Star vicino al bell' idol che s'ama, Ѐ il piừ vago dilletto d'amor! Star lontan da collei che si brama, Ѐ d'amor il piừ nesto dolor.
There may be more to say, but I think nothing else needs to be said or could be said in this. I agree, maybe work on the title. But, I also enjoy its simplicity.
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*dALinkSystem | #Writers-Workshop | #project-improve | #LITplease | *Lit-Twitter | =DeviantArtSecret
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"Being an actor's no different than being a rugby player or construction worker, save for the fact that my tools are the mechanisms which trigger human emotion." -- Kirk Lazarus
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